Hemingway
VOICEShort. True. Bone-dry.
He pushed off. The oars bit. The dock fell behind.
NOW WRITING WITH HEMINGWAY, KING, KARPATHY, & CO.
Write like the people
you actually read.
An AI writing studio that catches what you'd miss and rewrites in the voice of Hemingway, King, or Karpathy — without losing yours. Built for articles, posts, and long-form drafts.
- NO CARD REQUIRED
- YOUR WORDS, YOUR VOICE
- INSTANT SETUP
01THE CANVAS
A focused canvas.
Every AI change shown as a diff.
Select a sentence. Ask for it tighter, plainer, or in a different voice. The change shows up inline as a diff — accept with Enter, reject with Esc. No surprise rewrites.
- Dictate paragraphs by voice.
- See every AI change as a diff before it lands.
- Live Markdown. No menus to learn.
ON QUIET MORNINGS · DRAFT347 WORDS
The boat smelled of fish. The morning was very cold, and there was a kind of stillness that seemed to hold the dock in place.
The cold held the dock still. No wind. No gulls.
He pushed off and pulled on the oars
HEMINGWAYREFINED SELECTION
03 · STRUNK & WHITE
“Very cold” is throat-clearing. The cold is already doing the work — let the verb carry it.
02THE VOICES
Eight authors at your shoulder. One key away.
Pick a voice — Hemingway, King, Karpathy, NYT Op-Ed, and more. The assistant rewrites in that voice. Switch any time. Every change shows up as a diff before it lands.
Stephen King
VOICEPlain-spoken, propulsive, intimate.
You know how some mornings feel hollow before you even pour the coffee? This one was like that, only worse.
Karpathy
VOICEFirst-principles, casual, technically honest.
The simplest version that could possibly work is a single function. Start there. Add a flag only when you actually need one.
NYT Op-Ed
VOICEMeasured, authoritative, occasionally lyrical.
On a damp October morning in 1971, a fisherman in Gloucester walked down to a dock that was no longer there.
Casual friend
VOICELike texting a smart friend.
ok so the weird thing about that morning was how *quiet* it was — like the whole town had agreed not to wake up yet.
Technical blog
VOICEEngineer writing for engineers.
We replaced three nested callbacks with a single async generator. P95 dropped from 480ms to 110ms. Here's the diff.
+ ACADEMIC · DEFAULT · YOUR-OWN-VOICE STYLE PRESETS COMING SOON
03THE CRITIC
“Write with the door closed. Rewrite with the door open.”
Open the door.
Run the critic and get paragraph-level notes from a real editor: Strunk & White for tightening, a harsh NYT editor for hard truths, an encouraging coach to keep you moving.
- Every note quotes the line and the paragraph. No vague advice.
- One-tap fixes. Apply inline, preview as a diff, or ask follow-ups in chat.
- Dismiss the bad ones. Argue the rest. Always your call.
02 · STRUNK & WHITE
“Began to slowly walk” — the adverb is doing the verb's job. Try “shuffled,” “drifted,” or just “walked.”
He began to slowly walk down the dock.
He shuffled down the dock.
05 · HARSH NYT EDITOR
APPLIEDThe opener is throat-clearing — three sentences before we know what this piece is about. Cut to the claim.
07 · ENCOURAGING COACH
Working: the rhythm picks up here, and the image of the empty dock pays off the opener. Lever: name the year — specificity earns the reader's trust.
+ 3 MORE REVIEWERS · KING · KARPATHY · LINKEDIN STRATEGIST
04HOW IT WORKS
From idea to clean draft
in three moves.
01 · DICTATE
Speak it first.
Hit the mic. Talk through the idea. The transcript drops in clean and paragraphed.
02 · REFINE
Refine by selection.
Highlight a sentence. Ask for tighter, plainer, or more Hemingway. The change comes back as a diff.
03 · CRITIQUE
Run the critic.
Get paragraph notes and one-tap fixes. Keep what serves the draft. Dismiss the rest.
→ THE NAME, EXPLAINED
“I got another desk — it's handmade, beautiful, and half the size of the T. rex desk. I put it at the far west end of the office, in a corner under the eave.[…]Put your desk in the corner, and every time you sit down there to write, remind yourself why it isn't in the middle of the room. Life isn't a support-system for art. It's the other way around.”
STEPHEN KING · ON WRITING · 2000
Eave is named for that corner. A small place to write, with the best editors waiting when you're ready for them.
05PRICING
Less than a notebook
and a good pen.
FREE
$0/ month
Try everything. With limits.
- 25,000 words / month
- All eight author voices
- 5 critic passes / day
- Inline diff workflow
- Markdown export
PRO
FOR WRITERS WHO SHIP$12/ month
Everything, unlimited.
- Unlimited words
- Unlimited critic passes — all six reviewers
- Unlimited voice dictation
- Priority models (Claude Opus / Sonnet)
- −10% mode — King's law, built into the critic
- House-style memory across drafts
- Long-form mode (10k+ word documents)
- Early access to new voices
7-DAY MONEY-BACK · CANCEL ANY TIME
→ READY WHEN YOU ARE
The blank page
is the easy part.
You bring the idea. Eave brings the rigor. Start writing in under a minute. No card, no setup.
QUIET · MINIMAL · YOURS